Tomas trained as a sculptor in Budapest and has worked in clay since 2004. His hand-built figures mix folk myth with a sharp modern edge, and he fires most pieces in a wood kiln behind his studio near Kecskemet, Hungary.
Adam paints large figurative scenes on glazed ceramic, working from memory rather than from models. His figures float, climb and tangle in landscapes that feel half-remembered.
Robin makes carved and glazed relief tiles, and hand-painted panels in black and white. Her work looks at pattern and repetition, often starting from textiles, flowers or the sea.
Sasha works in stoneware and porcelain, building each plate and bowl by hand before the first glaze test. Her relief pieces grow out of the steppe flowers and birds she grew up around in Kazakhstan.
Jordan's abstract glazes start with the colour of a single flower or a field at dusk, then move toward something looser. She paints on glazed stoneware and tiles, often in series of three to five.
Daniyar paints the mountains and high pastures of the Tian Shan in bold colour fields. He grew up in a village near the Kyrgyz border and still spends long summers walking the ridges he paints.
Henry paints portraits and figures in ochre, umber and blue glaze on ceramic tiles. After thirty years as an illustrator in London he moved to Almaty and turned fully to ceramics.